Camera Obscura ; Journal of Feminism and Film Theory no 25 26 Jan / May 1991 Cover Cindy

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Camera Obscura, A Journal of Feminism and Film Theory, n16 Jan 1988 This special issue brings together an editorial, six articles, and three book reviews that focus on the relationship between television and the female audience.

Camera Obscura A Journal of Feminism and Film Theory 1 (Fall 1976) by Camera Obscura

Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions.

CAMERA OBSCURA Hannes Woidich

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Duke University Press Public Culture

Camera Obscura turned thirty in 2006. The editors eschewed, or neglected, mark- ing twenty-five, a somewhat unformed age, in favor of the celebration of a mo- ment of remarkable potential - perhaps radical changeability, as Woolf, if not Freud, would have it.

"Collectivity Part 1," a special issue of Camera Obscura Camera obscura, Duke university

Camera Obscura A Journal of Feminism and Film Theory/ 32 [Bergstrom, Janet ; Lyon, Elisabeth ; Penley, Constance (Editors)] on Amazon.com. *FREE* shipping on qualifying offers. Camera Obscura A Journal of Feminism and Film Theory/ 32

“Jackie Treehorn Treats Objects Like Women!” Two Types of Fetishism in The Big Lebowski

Current Issue Volume 38, Number 3 (114) December 1, 2023 View This Issue About the Journal Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies.

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Camera Obscura: A Journal of Feminism and Film Theory, No. 25-26, January/May 1991 [Sabrina Barton on paranoia in Hitchcock's Strangers on a Train , Alexander Doty on Pee-Wee and the sissy boy, Rey Chow on Chen Kaige, Steven Cohan on masculinity and William Holden; more] on Amazon.com. *FREE* shipping on qualifying offers. Camera Obscura: A.

Camera obscura; a journal of feminism and film theory / 29 May 1992 Imaging technologies

A Journal of Feminism and Film Theory Camera Obscura is devoted to the critical study of the representation of women in film, popular culture and media, and the arts and provides up-to-date perspectives on the national and international film scene. EDITORS Julie D'Acci Elisabeth Lyon Constance Penley Sasha Torres Sharon Willis LIFETIME TELEVISION

Duke University Press Camera Obscura

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Feminist Film Theory Feminism Ethnicity, Race & Gender

Established in 1976, Camera Obscura was (and remains) a groundbreaking venue for feminist film studies. This introductory essay to the first issue contextualizes the necessity of such a journal in a scholarly and cultural environment in which there is a true "need" for the feminist study of film.

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camera obscura A Journal of Feminism and Film Theory RECENT ARTICLES Lisa Cartwright: Women, X-rays,. FILM JOURNAL EAST-WEST FILM JOURNAL A publication emphasizing the cross-cultural. JOURNAL VOLUME10 NUMBER 2 FALL 1993 1 University of Hawaii Press

Camera Obscura ; Journal of Feminism and Film Theory no 25 26 Jan / May 1991 Cover Cindy

Journal Subscribers ; Librarians ; Prospective Journals ; Licensing and Subsidiary Rights ;. About Camera Obscura: Feminism, Culture, and Media Studies; Editorial Board; Advertising; Skip Nav Destination.. British Feminist Film Theory's Female Spectators: Presence and Absence. Camera Obscura 1 December 1989; 7 (2-3 (20-21)):.

Feminism and Film Theory by Constance Penley

Journal Subscribers ; Librarians ; Prospective Journals ; Licensing and Subsidiary Rights ;. About Camera Obscura: Feminism, Culture, and Media Studies; Editorial Board; Advertising; Skip Nav Destination. Issues.. View article titled, Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image. Open the PDF for in another.

Camera Obscura ; Journal of Feminism and Film Theory no 25 26 Jan / May 1991 Cover Cindy

Camera Obscura Feminism, Culture, and Media Studies Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies.

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Camera Obscura is a triannual peer-reviewed academic journal of feminism, culture, and media studies published by Duke University Press. It was established in 1976 [1] by four graduate students at the University of California, Berkeley: Janet Bergstrom, Sandy Flitterman, Elisabeth Lyon, and Constance Penley. [2]