A RARE TARTAR LACQUERED WOODEN BOW , CRIMEA, 17TH CENTURY Christie's

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Bearing a Tartar's painted bow of lath, Scaring the ladies like a crow-keeper; Nor no without-book prologue, faintly spoke After the prompter, for our entrance: But let them measure us by what they will; 505 We'll measure them a measure, and be gone. Romeo. Give me a torch: I am not for this ambling; Being but heavy, I will bear the light.

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Bearing a Tartar's painted bow of lath, Scaring the ladies like a crow-keeper; Nor no without-book prologue, faintly spoke After the prompter, for our entrance: But let them measure us by what they will; We'll measure them a measure, and be gone. ROMEO Give me a torch: I am not for this ambling; Being but heavy, I will bear the light. MERCUTIO

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An explanation of Benvolio's wordplay on the word "measure" in Act 1, Scene 4 of myShakespeare's Romeo and Juliet. [Enter Romeo, Mercutio, and Benvolio, along with several other partygoers on their way to Lord Capulet's house for a masquerade, a formal costume party.. Bearing a Tartar's painted bow of lath, Scaring the ladies like.

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Romeo and Juliet. , 1.4.4 - 1.4.5: ". We'll have no Cupid hoodwink'd with a scarf, / Bearing a Tartar's painted bow of lath. ". Act 1, Scene 4, line 4. Benvolio is expressing his disgust at the possibility of their going to such great lengths to get into a party given by their enemies, the Capulets, including costuming the person who gives.

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The date is out of such prolixity: We'll have no Cupid hoodwink'd with a scarf, Bearing a Tartar's painted bow of lath, Scaring the ladies like a crow-keeper; Nor no without-book prologue, faintly spoke After the prompter, for our entrance: But let them measure us by what they will; We'll measure them a measure, and be gone.

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Swifter than arrow from the Tartar's bow. Exit. OBERON Flower of this purple dye, Hit with Cupid's archery, Sink in apple of his eye. When his love he doth espy, Let her shine as gloriously As the Venus of the sky. When thou wakest, if she be by, Beg of her for remedy. Re-enter PUCK. PUCK Captain of our fairy band, Helena is here at hand;

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1114 Swifter than arrow from the Tartar's bow. ⌜ He exits. ⌝ OBERON, ⌜ applying the nectar to Demetrius' eyes ⌝ 1115 Flower of this purple dye, 1116 105 Hit with Cupid's archery, 1117 Sink in apple of his eye. 1118 When his love he doth espy, 1119 Let her shine as gloriously 1120 As the Venus of the sky.—

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0487 5 Bearing a Tartar's painted bow of lath, 0488 Scaring the ladies like a crowkeeper, 0489 ⌜ Nor no without-book prologue, faintly spoke 0490 After the prompter, for our entrance. ⌝ 0491 But let them measure us by what they will. 0492 10 We'll measure them a measure and be gone. ROMEO 0493 Give me a torch. I am not for this ambling.

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An explanation of Robin's reference to "the Tartar's bow" in Act 3, Scene 2 of myShakespeare's A Midsummer Night's Dream.. Swifter than arrow from the Tartar's bow. Tartar refers to the peoples of central Asia such as the Mongols of Genghis Khan. They were thought to be fierce warriors and great archers.

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the Tartar's bow, the nomad hordes of Tartary were famous for their archery. The spelling of the word, which should be 'Tatar,' is due to a false etymology, the Tartars, from their cruelty, being supposed to have proceeded out of Tartarus, or hell. 103.

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Swifter than arrow from the Tartar's bow. 17. III,2,1147. Captain of our fairy band, Helena is here at hand; And the youth, mistook by me, Pleading for a lover's fee. Shall we their fond pageant see? Lord, what fools these mortals be! 18. III,2,1155. Then will two at once woo one; That must needs be sport alone; And those things do best please me

A RARE TARTAR LACQUERED WOODEN BOW , CRIMEA, 17TH CENTURY Christie's

A partial answer - a few commentators on Shakespeare's works point out that by the Tartar's bow he meant the Cupid's bow as depicted on a number of popular paintings, sculptures. The same commentators claim that a bow of that particular shape, now called a recurve bow, was known (at Shakespeare's times) as Tartar's (as opposed to an English bow that was straight, less curved).

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Marlowe's biggest hit was a bloody drama based on the life of Tamburlaine, the emperor of the Tartars. The image of a half-dressed, blindfolded Cupid pointing an easily recognizable but obviously fake Tartar's bow and arrow at a group of elegantly dressed young ladies at a party would have been an amusing parody of the fearsome Tamburlaine.

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OBERON. [Squeezing flower juice into DEMETRIUS 's eyes] Flower of this purple dye, 110 Hit with Cupid's archery, Sink in apple of his eye. When his love he doth espy, Let her shine as gloriously As the Venus of the sky. 115 When thou wakest, if she be by, Beg of her for remedy.

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Swifter than arrow from the Tartar's bow. ROBIN. I go, I go. Look how I go, Swifter than arrow from the Tartar's bow. Exit ROBIN . Exit ROBIN . OBERON (squeezing flower juice into DEMETRIUS 's eyes) Flower of this purple dye, 105 Hit with Cupid's archery, Sink in apple of his eye.

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4 We'll have no Cupid hoodwink'd with a scarf, 5 Bearing a Tartar's painted bow of lath, 6 Scaring the ladies like a crow-keeper; 7. without-book: memorized. 7 Nor no without-book prologue, faintly spoke. 8 After the prompter, for our entrance;