Prints and Principles Romeyn de Hooghe’s etching, “Charles II of Spain Kneeling by a Carriage

Romeyn de Hooghe Raising of Lazarus with Scenes from the Life of Christ Artsy

3 Jacob Peeters after Romeyn de Hooghe, Triumfante intree van S. K. M. in Tent des Grooten Vizir, etching, Antwerp, c. 1692, David K. E. Bruce Fund De Hooghe executed a series of etchings recording the Battle of Vienna in September 1683 that were pubished in Brussels the following year in an account by Johann van Ghelen

Romeyn de Hooghe Portret van Michiel de Ruyter, Romeyn de Hooghe, 1673 1676 Portret van

Romeyn de Hooghe (bapt. 10 September 1645 - 10 June 1708) was a late Dutch Baroque painter, sculptor, engraver and caricaturist. Biography. He was born in Amsterdam, and was a skilled etcher, draughtsman, painter, sculptor and medalist.

[Antique etching, ets] Romeyn de Hooghe [or in the style of]. ANGLOIS (Engelsen), published 1650

Artist: Romeyn de Hooghe (Dutch, Amsterdam 1645-1708 Haarlem) Publisher: Published by P. Rotterdam , Amsterdam. Artist: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam) Date: 1689. Medium: Illustrations: etching and engraving. Dimensions: 21 5/8 x 13 3/4 x 13/16 in. (55 x 35 x 2 cm) Classifications: Albums, Books

Portrait of Romeyn de Hooghe, Tako Hajo Jelgersma, after Romeyn de Hooghe, 1712 1795 Painting

Figure 1. Romeyn de Hooghe, Save us, Lord, we perish [Helpt ons Heere want wy vergaen], 1675, etching and engraving, 278 × 345 mm. Rijksmuseum Amsterdam, RP-P-OB-79.309A (FMH 2577; Atlas van Stolk 2622). Image in the public domain. Details of Figure 1: (a).Romeyn de Hooghe, Ship during the Storm on the Sea of Galilee, and (b).Romeyn de Hooghe, Restoration of Hope and Peace [Herstelling en.

Romeyn de Hooghe [Scenes of war and torture] (1674) Artsy

Meredith McNeill Hale's study of the Dutch political printmaker Romeyn de Hooghe and his role as a propagandist for William III during the Glorious Revolution is a welcome addition to the scholarship of seventeenth-century graphic satire. It focuses upon De Hooghe's work of the period 1688-90, when William and his wife Mary assumed and.

Prints and Principles Romeyn de Hooghe’s etching, “Apocalypse of St John”, c1704

The name Romeyn de Hooghe is not unfamiliar to historians studying the seventeenth-century Dutch Republic and early modern prints, yet his private life, the full scope of his artistry and the alleged scandals surrounding his person have long remained obscure. This has changed with the publication of a biography by Henk van Nierop—an extensive.

Romeyn de Hooghe, Gezicht op het stadhuis te Haarlem, 1688 1689, ets op papier, 185mm x 239mm

Romeyn de Hooghe. Dutch Golden Age painter, engraver, and sculptor (1645-1708) Upload media. Wikipedia. Date of birth. 10 September 1645. Amsterdam. Date of death. 10 June 1708.

Romeyn de Hooghe (16451708) Eight biblical etchings, Catawiki

Romeyn de Hooghe (1645-1708) as book illustrator; a bibliography Bookreader Item Preview remove-circle Share or Embed This Item. Share to Twitter. Share to Facebook. Share to Reddit. Share to Tumblr. Share to Pinterest. Share via email. EMBED. EMBED (for wordpress.com hosted blogs and archive.org.

Romeyn de Hooghe, Portret van Willem III ca 1672 Old paintings, Painting, History

Romeyn de Hooghe was an important and prolific late Dutch Baroque, painter, sculptor, engraver and caricaturist. He was born in Amsterdam, and was a skilled etcher, draughtsman, painter, sculptor and medalist. He is best known for political caricatures of Louis XIV and propagandistic prints supporting William of Orange. He was also active as an.

Romeyn de Hooghe Religious Print "THE WRATH OF GOD Handel Cap. 9, v.4" Copper Engraving

Romeyn de Hooghe was the most inventive and prolific etcher of the later Dutch Golden Age. The producer of wide-ranging book illustrations, newsprints, allegori.

Prints and Principles Romeyn de Hooghe’s etching, “Charles II of Spain Kneeling by a Carriage

The art of Romeyn de Hooghe : an atlas of European late baroque culture. Suggested searches in RKDlibrary. Author Wilson, William H. Publisher Harvard University. Artist's name Hooghe, Romeyn de. Keyword subject 17th century. Keyword subject North Netherlandish. Keyword subject painting. Keyword subject drawing art.

Romeyn de Hooghe De Vlugt van 't Pausdom The Metropolitan Museum of Art

Other articles where Romeyn de Hooghe is discussed: caricature and cartoon: Social satire:.group of artists of whom Romeyn de Hooghe was the chief, and they were sold cheap. There had been Dutch political cartoons before, but they were laborious and appeared irregularly. The Dutch-English connection in the person of William III, the continuing threat of Louis XIV, and a succession of.

Anno Domini 1672 Romeyn de Hooghe als bron Romeyn de Hooghe as a historical source

Romeyn de Hooghe was the most inventive and prolific etcher of the later Dutch Golden Age. The producer of wide-ranging book illustrations, newsprints, allegories, and satire, he is best known as the chief propaganda artist working for stadtholder and king William III. This study, the first book-length biography of de Hooghe, narrates how his.

Romeyn de Hooghe (16451708) Voyage of Discovery The art of painting on Mexico 1710 Catawiki

Romeyn de Hooghe (Dutch, Amsterdam 1645-1708 Haarlem) n.d. The Reception of Mary Stuart, Princess of Orange, as Queen of England. Romeyn de Hooghe (Dutch, Amsterdam 1645-1708 Haarlem) 1689. How Etchings are Made An illustrated explainer. Resources for Research. The.

Romeyn de Hooghe Wiktenauer, the world's largest library of HEMA books and manuscripts

The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe (1645-1708) on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of.

Romeyn de Hooghe, Double Portrait of Willem III and Mars, 1672,... Download Scientific Diagram

Romeyn de Hooghe was the most inventive, prolific, and versatile graphic artist of the Dutch Republic in the late seventeenth century. He led an extraordinary life: one that proceeded from very austere circumstances - though not quite rags - to riches, and was marred by a never-ending stream of scandalmongering..